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Lehigh University Art Galleries | Young, Gifted, and Black

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![](https://assets-global.website-files.com/62ee0bbe0c783a903ecc0ddb/6472d993de20b75437e4c170_jarrett%2Bkey.jpeg) Jarrett Key, “Key Family in the Garden,” (2019). © Jarrett Key, Image Courtesy of the artist and 1969 Gallery. Lehigh University Art Galleries is proud to present [_Young, Gifted, and Black: The Lumpkin-Boccuzzi Family Collection of Contemporary Art_](https://luag.lehigh.edu/exhibitions/young-gifted-and-black), featuring artists of African descent. At a time when America continues to reckon with a racist history and still-unequal present, the exhibition aims to highlight the excellence of young Black artists. The exhibition pulls from the private collection of Bernard I. Lumpkin and Carmine D. Boccuzzi, co-curated by writer and critic Antwuan Sargent and artist Max Wycoff. The selections are divided into four groups: Black, Color, Materiality, and Portraiture, representing the wide range of new Black artists today. The exhibition is also accompanied by the catalogue _Young, Gifted and Black: A New Generation of Artists_, edited by Antwaun Sargent. The exhibition will be on view at Lehigh University from February 1 to May 27, 2022, with a public opening reception on Tuesday, February 22 from 6pm to 8pm. ![](https://assets-global.website-files.com/62ee0bbe0c783a903ecc0ddb/6472d993de20b75437e4c16d_Chanel%2BChiffon%2BThomas%2B-%2BA%2Bmother%2Bwho%2Bhad%2Bno%2Bmother%2B1.jpeg) Chiffon Thomas, “A mother who had no mother,” (2017). © Chiffon Thomas. ![](https://assets-global.website-files.com/62ee0bbe0c783a903ecc0ddb/6472d993de20b75437e4c162_Kara%2BWalker%2B-%2BUntitled%2B1.jpeg) Kara Walker “Untitled,” (1995). © Kara Walker. ![](https://assets-global.website-files.com/62ee0bbe0c783a903ecc0ddb/6472d993de20b75437e4c159_Paul%2BMpagi%2BSepuya%2B-%2BDark%2BRoom%2BMirror%2BStudy%2B%25280x5A1531%2529%2B1.jpeg) Paul Mpagi, “Sepuya Dark Room Mirror Study (0x5A1531),” (2017). © Paul Mpagi Sepuya, courtesy of the artist and team (gallery, inc.), New York. ![](https://assets-global.website-files.com/62ee0bbe0c783a903ecc0ddb/6472d993de20b75437e4c165_Sadie%2BBarnette%2B-%2BUntitled%2B%2528People%2527s%2BWorld%2529%2Bcopy.jpeg) Sadie Barnette, “Untitled (People’s World),” (2018). © Sadie Barnette, courtesy of the artist and Charlie James Gallery, Los Angeles. ![](https://assets-global.website-files.com/62ee0bbe0c783a903ecc0ddb/6472d993de20b75437e4c169_Tomashi%2BJackson%2B-%2BStill%2BRemains.jpeg) Tomashi Jackson, “Still Remains,” (2018). © Tomashi Jackson, Courtesy of the artist and Tilton Gallery, New York. ![](https://assets-global.website-files.com/62ee0bbe0c783a903ecc0ddb/6472d993de20b75437e4c15f_Tunji%2BAdeniyi-Jones%2B-%2BBlue%2BDancer%2B1%2Bcopy.jpeg) Tunji Adeniyi-Jones, “Blue Dancer,” (2017). © Tunji Adeniyi-Jones. ![](https://assets-global.website-files.com/62ee0bbe0c783a903ecc0ddb/6472d993de20b75437e4c155_vaughn%2Bspann.jpeg) Vaughn Spann, “Radiant Sunshine, The Morning After (For Lula),” (2017). : © Vaughn Spann, Courtesy of Martin Parsekian / Half Gallery. ![](https://assets-global.website-files.com/62ee0bbe0c783a903ecc0ddb/6472d993de20b75437e4c15c_Wilmer%2BWilson%2B-%2BPres.jpeg) Wilmer Wilson, “IV Pres,” (2017). © Wilmer Wilson IV.