There’s something about Izzy Meikle-Small. It’s not just the delicate cheekbones or the quintessential Englishness that makes her a favorite for period dramas. It’s not even her enviable resume which includes her stepping into the shoes of some of the UK’s most luminous stars. No, there’s a quiet but resolute determination to claim her own narrative—shadowy beginnings, a taste for the unconventional, and a new era of artistic self-possession.

For years, Meikle-Small was cinema’s favorite time machine—a younger Carey Mulligan, a pint-sized Vanessa Kirby, a teenage Charlize Theron. Yet, there’s something deliciously ironic in her being cast as the precursor to these screen giants. “I don’t really look like any of them, but I’ll take it!” she laughs. “It was amazing to learn from them.” For a young actor finding her footing, the sets of those films were both playground and classroom. “Being on set as a kid can be really intimidating,” she admits, “but all three of them made an effort to make me feel really comfortable.”

Indeed, while her face was a canvas onto which casting directors mapped their favorite leads, Meikle-Small was watching, learning, absorbing. Working alongside the likes of Mulligan and Kirby wasn’t just a brush with greatness—it was a kind of mentorship. “We would have big conversations about the characters and the plot, and that helped me understand their process, which therefore informed my own and taught me how successful actors created their characters. I really appreciate the time that they took with me because it really helped shape my view of the industry and what it means to be an actor and a filmmaker.”

Meikle-Small is no longer standing in someone else’s light. With her role as Rachel Hunter in season seven part two of runaway success historical drama series, Outlander (streaming now on MGM+ in the UK and Starz in the US) she’s stepping out of the shadows and into her own spotlight. “I’ve never joined a show which had such a pre-existing fan base,” she says. The Outlander fandom is nothing if not passionate, and Meikle-Small knows she’s shouldering the expectations of readers who’ve cherished Rachel on the page.

“Rachel is so sweet and pious and all of these things. She’s sassy, but she’s a really kind person, which is lovely to play, but I’d love to play someone with maybe a bit more edge. Maybe somebody in comedy could be fun, or something modern, where I could wear jeans,” she laughs. That’s not to say she doesn’t appreciate the role’s intricacies. “Rachel wears a bonnet, and that’s a lot to do with her religion but also feeling bound in. Doing period dramas, I feel like the history informs your character, and with Rachel being a Quaker living in the 1700s, all of these layers of history do add to your character.”

And the audience reception has been equally rewarding. “The Outlander audience connects so deeply with every episode, and they’ve really welcomed me in with very open arms,” she says earnestly. “I was worried that people might not love me as [Rachel] as much as I would want them to.” For someone who spent her youth in roles that were more scaffolding than centerpiece, this level of engagement is a revelation. “When I was younger, I didn’t have a fan base in the same way. Because I was a kid, my exposure was different. Coming and doing this now is such a blessing.”

If Outlander marks Meikle-Small’s coronation, her ambitions reach well beyond bonnets and bodices. “I would love to do an indie British film,” she says. “In the last few years, we’ve seen some amazing films coming out of the UK. I think the new year will bring new freedom. I just started auditioning, so we’ll see what happens.”

This isn’t her first time coming out of the shadows and shaping her own destiny. “I got my first job at nine and my first movie at 13. By 18 or 19, I’d missed a lot of school. It got to the point where I was like, ‘What if I just went away, lived my life for a few years, was able to kind of grow up and mature physically but also mentally, and have some life experience?’”

She’s also drawn to the unexpected. “Genre isn’t really that important to me. There are genres that I prefer to watch as a viewer, but in terms of acting, I always want to do something different. I tend to be cast a lot in period dramas, and I think I just look very English, and that’s why that happens,” she chuckles at the inevitability of it all. “If I haven’t done a genre before, I’m more likely to be drawn towards it because it’s something that I’ve not done yet.”

For example, Meikle-Small is a dark comedy-fan, and since she specialized in medieval dark comedy in school, she’s grown incredibly fond of them. “I think that probably is one of my favorite genres to watch,” Meikle-Small admits. “It’s funny, but also it really normally packs a bit of a sucker punch message. It’s a clever way of concealing the emotional message to make it more palatable.”

While at university, Meikle-Small fell in love with producing, a role that seems perfectly suited to her thoughtful and measured approach. “I tend to work with a lot of writers who were actors who’ve turned to writing,” she says. “Because I am also an actor, they trust that I will understand and can see their point of view and that I can lead them behind the camera in a way that they’ll understand.”

If there’s one thread tying together Meikle-Small’s eclectic pursuits, it’s her deep love of stories. “I definitely would say I am a book lover,” she says, noting her background in English literature. “Doing period dramas feels natural because I love adaptations. It’s kind of my niche.” But she’s not content to simply bring existing narratives to life—she’s crafting her own.

“I have started writing, which feels a little bit scary,” she reveals. “There’s a short that I co-wrote with my friend—it’s not ready at all, but there’s something really interesting in the idea. There’s also a book that I’m trying to adapt to be a film screenplay.” For someone who has spent years embodying other people’s characters, the act of writing is an exercise in autonomy. “Whenever I’m writing things, I’m imagining myself playing the character that I would like to play, which always makes it more fun.” 

Her dream? To merge her passions into one cohesive whole. “The aim is to kind of get bigger and welcome bigger things. My absolute dream would be to act in something that I’m also producing and be able to have a kind of creative say in front of and behind the camera, especially on Outlander like watching Caitríona [Balfe] and Sam [Heughan] do that with such grace. It feels more tangible now, and I think I’d have less imposter syndrome.”

As Meikle-Small looks ahead, she’s taking stock of what she’s achieved and where she wants to go. This self-assurance radiates in her ambitions. Whether it’s an indie film, a dark comedy, or something completely different, Meikle-Small is ready to embrace whatever comes next. Izzy Meikle-Small is no shadow; she’s the whole picture.

All seasons of Outlander, including 7 Part 2, are available to stream on MGM+ in the UK and Starz in the US now. 

Photographed by Lee Malone

Styled by Karen Clarkson at The Wall Group

Written by Lily Brown

Hair: Grace Hatcher using Sam McKnight

Makeup: Irina Cajvaneanu at Caren using Lisa Eldridge Beauty 

Stylist Assistant : Maïlys Pereira

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