Ryder Ripps and Azealia Banks | Miss Camaraderie at Perez Art Museum Miami
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Conceptual artist and multidisciplinary creative [Ryder Ripps](https://www.instagram.com/ryder_ripps/?hl=en) has revealed a new video work filmed at Perez Art Museum Miami. Drawing inspiration from Azealia Banks’ personal experience of sexual exploitation, _Miss Camaraderie_ is a showcase of earned space and discovered power. The film marries stillness brought to life in choreographed motion that is infused with artistic reclamation.
_Miss Camaraderie_ is choreographed by award winning Matthew Edward Pasterisa, with Banks taking on the moving form of Hagar, the mistress of patriarch Abraham, who was expelled in service of the legitimacy of Isaac’s birthright in place of her own son, Ishmael. Hagar is the original scapegoat, and represents societal mistreatment of female sexual willpower and self-determination.
George Segal’s work _Abraham’s Farewell to Ishmael_ (1987) is on view for the first time at Pérez Art Museum Miami (PAMM) since a complete restoration.
* * *
_Artist: Azealia Banks_
_Song: “Miss Camaraderie,” (Bon Vivant Remix)_
_Director: Ryder Ripps_
_Choreography: Matthew Pasterisa & Azealia Banks_
_Producer: Katerina Llanes_
_Production Assistant: Katerina Castro_
_Styling: Ryder Ripps, Katerina Llanes_
_Make-Up: Eddy Salgado_
Conceptual artist and multidisciplinary creative [Ryder Ripps](https://www.instagram.com/ryder_ripps/?hl=en) has revealed a new video work filmed at Perez Art Museum Miami. Drawing inspiration from Azealia Banks’ personal experience of sexual exploitation, _Miss Camaraderie_ is a showcase of earned space and discovered power. The film marries stillness brought to life in choreographed motion that is infused with artistic reclamation.
_Miss Camaraderie_ is choreographed by award winning Matthew Edward Pasterisa, with Banks taking on the moving form of Hagar, the mistress of patriarch Abraham, who was expelled in service of the legitimacy of Isaac’s birthright in place of her own son, Ishmael. Hagar is the original scapegoat, and represents societal mistreatment of female sexual willpower and self-determination.
George Segal’s work _Abraham’s Farewell to Ishmael_ (1987) is on view for the first time at Pérez Art Museum Miami (PAMM) since a complete restoration.
* * *
_Artist: Azealia Banks_
_Song: “Miss Camaraderie,” (Bon Vivant Remix)_
_Director: Ryder Ripps_
_Choreography: Matthew Pasterisa & Azealia Banks_
_Producer: Katerina Llanes_
_Production Assistant: Katerina Castro_
_Styling: Ryder Ripps, Katerina Llanes_
_Make-Up: Eddy Salgado_
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